7D 2000 fps by Oton Bačar

This video is pretty old now (2 years), but still a really great example of using Trapcode Partciular. The slow moving rain was added. Text from the vimeo page:

"Second and final slow motion test...It was filmed months ago. Editing is rough because I don't have time to work on details.

Edited with Twixtor in After Effects.
Rain was made with Trapcode Particular 2 in AE
Lens used: Canon EFS 18-135 mm
Shutter speed: unknown

Music: "Seagull"
Composer: Niklas Aman, STIM
Publisher: Brusbox Music STIM

Check out Niklas' awesome music:
niklasaman.com/music "

The rain here is very well made. It is somewhat remeniscent of Pierre MICHEL's work in POLAR. Here is a tutorial for that. DOF is what really sells it.

EXODUS

World premiere of short film EXODUS!
Commissioned by Trapcode. Made by POTEMKIN.

POTEMKIN notes: 
"This low poly semi-epic child hood tribute space saga called EXODUS was born when Peder Norrby asked us to make a short film using Trapcode MIR. We accepted the challenge, made up a multi part narrative and went to work, letting the plugin affect both our creative, narrative and technical results.

This is the first part of a space epic, establishing the protagonists and a fragment of the universe as well as the timeline in which EXODUS takes place."

Music and visuals by Magnus Östergren
Production management by Thomas Oger
Produced by POTEMKIN
Commissioned by TRAPCODE

More info on EXODUS and image gallery

More info on Trapcode Mir

Jean-Marie Marbach for La Casa Azul

Really stunning work in this music video for La Casa Azul by Jean-Marie Marbach.

Jean-Marie notes: "I've recently directed a music video for indie Spanish band La Casa Azul (Elefant Records), in which Particular and Form were used for various VFX shots :

Stars, 3D Nebulae and weird space energy ribbons were done with both Particular and Form.

Particles emitted from the characters' hands were done with Particular (I would have loved to try the new motion vector input for this scene, but the shots were already completed when V 2.2 was released).

The flock of birds in the sky was done with particular, with footage of real stabilized birds as custom particles.

The android's transformation was done with Particular, and the footage as a layer emitter, so that the particles could inherit all of the girl's different colors.

The trail behind the crystal ball was done with Particular. Several layers were generated : The main visible particles, and more geometric particle trails used as displacement map, in order to get a more organic look.

Finally, the Earth shot was done with Form. The base Form was set to "Sphere - Layered" in order to get a real 3D Earth. 12 different layers of particles (main land, shore lights, cities, etc…) were generated using 16K Earth maps as layer maps. Additional layers of clouds were added with Particular.

Full video:

TEMPO

In this Red Giant short film, from the creators of Plot Device, a scientist must prevent a new, powerful technology from falling into the wrong hands.

VFX Breakdowns:

Made using Trapcode Suite 12 etc. Check tutorials on TEMPO.

Kiss – A Love Story by RACECAR

Fresh of the the festival circuit, we proudly present the internet premiere of our short film Kiss.

"Le soleil est le passé, le terre est le présent et la lune est le futur."

As Paul Auster once said “The sun is the past, the earth is the present and the moon is the future.” In our first independent short film we explore the consequence of something as innocent as a kiss. A love story between the sun and the moon. We believe that every solar eclipse is the moons attempt to reach the sun...

CREDITS:
Director: Joseph Hodgson & Franck Aubry
Anmation & Art Direction: Joseph Hodgson & Franck Aubry
Production: Racecar - racecar.no
Sound Design: Erlend Elvesveen & Sven Erik Nordset
Sound Mix: Erlend Elvesveen
Music: 'Stille' by Bendik - nrk.no/urort/Artist/bendikmusikk/default.aspx

For more info: kiss.racecar.no

Joseph notes: "We LOVE your Trapcode plugins, couldn't live without them. I think we use them in almost every project we make!

Trapcode plugins were used in Kiss - in the abstract section, when the sun and moon meet as well as in the pre explosion and the full explosion. (Particular the most)"